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Monday, December 26, 2011

2 0 1 1


Shall be known as the year in which everything we took for granted as infallible, the pillars upon which we had built our society and accessorized our sense of worth, the status symbols, our aspirations, the glint of gold in our wallet, all that, were shown to be as ludicrous as a single bowl of rice in famine-ravaged dustbowls.

Shall be known as the year in which the new generations, whether you thought them shallow-minded or young, dumb and full of cum, vilified or venerated, got angry and took to the streets. The old power has never looked so flimsy and foolish. It shall be known as the new '68.

Shall be known as the year I got married in England to my American partner, after seven years, but still in the Land of the Free our relationship is not recognised and we haven't rights.

Shall be known as the year I almost died of pneumonia and in the fever dream I got writing again, and in those dreams my mom talks to me, after her death 17/08.

Tuesday, December 6, 2011

ALIEN

When I lived in New York, I was in-house artist for the Black Party, New York's underground no-more 'dark side'-show. Once it was an amazing, beating black heart, lodged in the ribcage of the city. In a way, it still is, but a lot had happened in the thirty years of its existence. Now we were living in a splintered New York, Manhattan looking over its shoulder at a insouciant Brooklyn that didn't give a fiddle for its grubby, gilded past. The codes of yesteryear, all those Folsom fetishes might have seeped into the porno-mainstream consciousness, but let's be honest here, a (Roseland Ball)room, this fleshfarm of shiny cowhide and methy machorobotics seemed anachronistic at best. I'm being nice about a societal dead end. The kids sniffed, wrinkled their noses, and mostly got back on the L-train.
I always wondered though, what if those desires still existed, their genepool mutated perhaps? Where was the window, slightly ajar, that allowed them to escape, and roam on the streets like they used to in the heady avenues of the seventies?
Then I saw this, and got to thinking.

ALIEN ALIEN - SAMBACA from manuel savoia on Vimeo.

Tuesday, November 29, 2011

Wednesday, November 16, 2011

CRONENBERG CREAM PIE (New York Stories)


As bugs do, we do.
In order to survive, we tear apart; our stomach juices dissolve resistant flesh. We cause unimaginable pain to live.
Our amuse-bouches, the food on our table, all its custard yellows and foamy oxygenated whites, once bitten or broached become a casualty of our body horror, like everything else we brush against in the city. Food, don't touch me. You disgust me. But still, we desire it, ingest and absorb it willingly, unlike bugs (apparently in our sleep we inadvertently eat up to eight a year) and sperm (ditto).
It only seems repulsive if it dangles from our chin in plain view. We flinch, if it lands on our bare legs in summer. No surprise then, if some people get off on food.
He always had a can or two of whipped spray cream in his refrigerator, and not much else, so naturally I was curious. There were tentative dating questions. Guys tend to get straight to the point. Not for us the agonised do-I-tell-or-don't-I? of heterosexual couples. For us, sex should be like test-driving a Ferrari. Sometimes, you want to go real fast.
So, on a couple of occasions, the whipped spray cream came into play, standing proud and erect on the bedside table. I soon found out that in the real, sexualised world of food, it's not dainty dollops of strawberries and cream on your nipples, till you squeal with delight. It's slathering you with honey, and letting the ants come get you. You're sushi, raw. It's filling your mouth with so much of that fucking cream you choke. Panic. Now that's hot.
Still, it wasn't enough, apparently. We had to go faster, faster still.
One morning, I realised this was to be a special occasion. Not that it was anyone's birthday, or some Jewish holiday, but in his mind he had slow-cooked me to the point of perfection, my flesh spry to the prick of the fork.
My hands were tied behind my back. Now that had happened before. He once shackled me to an office chair and proceeded to wheel me out his apartment into the corridor, locking me out. It wasn't for long, and neither did I complain, because boy, wasn't it funny?!
Jesus, sometimes I am such a cypher for the desires of others. I guess that's what makes me a writer. Are we all choking, tied up naked somewhere, at least us good ones?
Then he blindfolded me.
I was led - oh, I forgot to mention, we were both naked - to the bathroom the size of a small New York closet. A stool had been placed centrestage in the tub, and I was instructed to sit on it. I did as I was told. Yes, of course I was a little nervous. I didn't think he was a psycho, no. His hands around my throat, his taste for creative breath deprivation were mere parlour games to stave off the ennui, I believed. But I was... on edge this time, I'll admit. The spray cream, from a vertical position, was not really working. He couldn't attain the volume he desired, the all-important discomfort, the weight I would sink under. Telling me not to go away - that sense of humour again! - I heard him slip off into the kitchen the size of a small New York closet, from where the sound of clanking pots and pans, hubble and bubble reached my ears. Whatever this was, this was big. I was left there for ten minutes, alone with my thoughts. It was a chilly Sunday morning, I pondered. Must wrap up. He had an old, cantankerous cat I remembered, and it was probably darting around his feet, expecting titbits. My mum and dad far away, over the ocean. I pictured them. This, they probably wouldn't understand.
He came back and promptly emptied a bucketful of cream over my head. Vanilla, I think. I was invisible beneath it suddenly, the colour of yellow mud, my eyes, my mouth popping like a fish, all gone. His hands all over this saccharine deluge, investigating me as it dripped down my cracks and crevices. Even blindfolded, I knew how interesting I must have been. I was no longer form, but food, a cakehole, a perfect sugarstorm. I might have said "Ohmygod" but really there was nothing to say. For I was nothing. I was all surface. He was besotted. He was hard, I knew, because he was jabbing me with it. And I thought, so this is it, this is being objectified, this is being a woman, this is being a child under a pedophile's leer, and I like it, except how can this end, I can't go around like this forever, can I? And then he ripped the blindfold off and I saw the one hand clamp back onto his big sex, and in the other was a cream pie, an expensive one to boot, perfect and perfectly round, a colour feast, a 20 dollar delight, and he threw it in my face, the moment foodies have all been waiting for, and then, of course, he came.

Monday, November 7, 2011

TEDDY BEARS PICNIC



If you go down to the woods today, you're in for a big surprise.

PINK! on Facebook

What started as a party, a conscious effort to throw a little fairy dust on Lisbon gay nightlife and put the ART back into PARTY (and no doubt will continue again soon after a break of a few months), has taken an interesting twist online, where the group page has become a forum for the provocative and penile. Buzz buzz buzz.

Right now it's a place where the bent Portuguese male can vent, the horny can be porny, and brainy boys can impress us with the size of their IQs. I'd love it, if it got more international. It would do my ego the world of good.

I promise, really, truly, madly, deeply, to start throwing parties again soon. Something in my water is telling me the lovers and fighters on the Pink page are ready. I just damn well want MORE!



Wednesday, October 12, 2011

Saturday, October 1, 2011

UNFASHIONABLE SEX




It seems the kids didn't like it.

Queerfest 15, the Lisbon Queer Film Festival 2011. Reaction to two seminal homo films, Boys in the Sand (USA - 1971) and Taxi Zum Klo ('Taxi to the Toilet' - Germany - 1981) ranged from indifference to "I'm outta here." I shed a few queer tears. Didn't they know their history? Didn't they care? Apparently nah mate. As I watched them wiggle it to Born This Way - AGAIN- I'd say they stayed to the end of Taxi just to enjoy the complimentary vodka afterparty.

I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way

So, what gives with the gays? Are us oldies an embarrassment (of riches)? Are we crashing bores with our activism and Aids? Was our identity angst so 1981? Probably. I'll admit, your average gay film viewer doesn't give a damn about queer theory and why should he? He's looking for an experience that validates his way of life, and I doubt he's going to find it in the willowy paganism of 1971 or the grungy semi-despair of a decade teetering on the edge of an epidemic.

Don't be a drag, just be a queen

OK, Boys in the Sand's rose-crushed-to-the-bosom pornography was a little ripe. This is a world of sunlit opulence that many in the audience would be unfamiliar with. You should see Fire Island nowadays, really you should! But this secret world, and this movie, were born this way out of the fact homos felt they were under attack. It needed to show the world we were creatures of beauty. Not for nothing was it released (controversially) in mainstream theatres - and with great success. Two beautiful men fucking on a beach was to be envied, dammit! And in the end blondie got his guy, the big-dicked black panther fix it man, interestingly.





I miss that balls-to-the-wall quality of filmmaking of modern gay movies. I love that there was a time when gay movies were interested in documenting/fictionalising our experience with real dick-in-hole sex. It's as if busting their load on film made them work harder on their ideas. (see Shortbus). I haven't caught João Pedro Vale's Moby Dick, but most people hate it. But then we're jealous bitches, aren't we?

So, Taxi Zum Klo was no Fassbinder, but I loved the grainy, chill window into Berlin, I loved the gonzo documentary quality of the filmmaking, I loved the humour, and most of all I loved the messy, not-quite-linear narrative. I love its despair at gay lives biting their own tails - are we even allowed to show that any more? Films since then have been all about the veracity of the emotion, in a soapy, Hollywood way - it's all about poignancy and integrity - but have become more fake by trying to stay faithful to their emotional arc. We've become contaminated by Steel Magnolias, as if gays became relieved they could base their future discourse on that rather than Warhol or Kenneth Angers or even Gregg Araki. Mysterious Skin was the last great 'white' gay movie I saw that was bold and poetic.

Homework: I understand they're making great queer cinema in Asia and South America.